 mfp 1st. Sleeve |
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TITLE
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ROCK'N' ROLL
MUSIC Vol.1 |
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| CATALOG NUMBER | MFP 50506 |
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RELEASE DATE
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27th October 1980 / 1st Press |
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| TRACK LISTING | SIDE 1 | SIDE 2 | |||
| Twist And Shout |
Rock And Roll Music |
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| I Saw Her Standing There |
Slow Down |
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| You Can't Do That |
Kansas City |
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| I Wanna Be Your Man |
Money (That's What I Want) |
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| I Call Your Name |
Bad Boy |
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| Boys |
Matchbox |
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| Long Tall Sally | Roll Over Beethoven | ||||
| FRONT --> Click! | BACK --> Click! | SIDE 1 --> Click! | SIDE 2 --> Click! | DISC --> Click! | |
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| INNER SLEEVE | |||||
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| Plain White Sleeve Type-5-1 "DRG PACKAGING BAGS" logo was added. "British Patent No. 1125555" and "MADE IN GREAT BRITAIN" were printed at the bottom. |
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| FRONT COVER CLOSE-UP | BACK COVER CLOSE-UP | ||||
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| Catalog number was printed at the upper right corner of the front cover. | They split the two albums, put them into new sleeves reportedly following complaints about the original sleeves and issued them on the Music For Pleasure label as Rock And Roll Music Vol. 1 and 2. | ||||
| BACK COVER CLOSE-UP | |||||
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Track B3 was titled "Kansas City" on the label and back cover, with the songwriter’s name misspelled "Lieber" instead of "Leiber". |
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The MFP (Music for Pleasure) address was printed at the bottom of the back sleeve. |
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| LABEL CLOSE-UP | |||||
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| Black and red
oval labels with MFP logos. The credits "Music For Pleasure Limited" and "Made In England" were printed in red at the top of the label. |
MFP=Music For
Pleasure Label started in 1965 as a joint venture between
Hamlyn and EMI Records, selling low cost re-issues and also
some original material. |
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| LABEL CLOSE-UP | |||||
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"The Compilation ℗ 1976 EMI Records Ltd." credit was printed at the bottom of the label. |  |
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Red-black labels
with the bottom text "COPYRIGHT RECORD ALL RIGHTS OF THE
MANUFACTURER AND OF THE OWNER OF THE RECORDED WORK RESERVED
UNAUTHORISED PUBLIC PERFORMANCE BROADCASTING AND COPY OF THIS RECORD PROHIBITED". |
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| SIDE 1 --> Click! | SIDE 2 --> Click! | ||||
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Track B3 was titled "Kansas City" on the label and back cover, with the songwriter’s name misspelled "Lieber" instead of "Leiber". |
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| OTHER ITEM | |||||
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| LABEL | Music For Pleasure original red label
Type-1 |
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| MIX | STEREO |
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| MATRIX No. | SIDE 1 |
SKBO 11537-1A-1
(machine) HTM (hand etched) |
MOTHER & STAMPER |
6 / 1 4 2 |
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| SIDE 2 |
SKBO 11537-1B-1 (machine) |
8 / |
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| VINYL COLOR | BLACK | ||||
| RECORD COMPANY'S NAME | Label / Cover: Original Sound Recording
made by EMI Records Ltd. |
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| CENTRAL REMARK "SOLD IN U.K." |
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| RECORDING PUBLISHED CREDIT | The compilation ℗ 1976 EMI Records Ltd. |
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| COVER FORM | Glossy, unlaminated single-pocket sleeve. |
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| PRINTER CREDIT | PRINTED AND MADE IN GREAT BRITAIN BY
GARROD & LOFTHOUSE INTERNATIONAL LTD. |
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| COVER DESIGN/ PHOTO/ NOTES | Illustration: Michael Bryan |
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| INNER SLEEVE | Plain White Sleeve Type-5-1 "DRG PACKAGING BAGS" logo was added. "British Patent No. 1125555" and "MADE IN GREAT BRITAIN" were printed at the bottom. |
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| PRODUCER | Produced by George Martin |
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| COMMENTS | Rock And Roll Music, Music For Pleasure,
Vol.1 MFP 50506 and Vol.2 MFP 50507. EMI Records decided to issue the remixed recordings. They split the two albums, put them into new sleeves reportedly following complaints about the original sleeves (Rock'n' Roll Music (PCSP 719)) and issued them on the Music For Pleasure label as Rock And Roll Music, Volumes 1 and 2. These releases allow comparison with the mixes used on the original 1976 U.K. double album. Unlaminated “Garrod & Lofthouse Ltd” sleeves. This copy has a white paper inner sleeve with the "DRG PACKAGING BAGS" logo. Red-black labels with the bottom text “COPYRIGHT RECORD ALL RIGHTS OF THE MANUFACTURER AND OF THE OWNER OF THE RECORDED WORK RESERVED UNAUTHORISED PUBLIC PERFORMANCE BROADCASTING AND COPY OF THIS RECORD PROHIBITED”. These albums are reported to have been manufactured using Capitol Records lacquers. (The mixes used on this version are the same as on the US release, using George Martin's alterations.) Track B3 was titled "Kansas City" on the label and back cover, with the songwriter’s name misspelled "Lieber" instead of "Leiber". *) Harry Moss Mastering and cutting engineer. Worked for EMI Studios aka Abbey Road Studios. Often identified by the initials "HTM" which may appear to look like "HrM" in the runouts. |
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