 mfp 1st. Sleeve |
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TITLE
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ROCK'N' ROLL
MUSIC Vol.1 |
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| CATALOG NUMBER | MFP 50506 |
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RELEASE DATE
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27th. October 1980 / First Press |
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| TRACK LISTING | SIDE 1 | SIDE 2 | |||
| Twist And Shout |
Rock And Roll Music |
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| I Saw Her Standing There |
Slow Down |
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| You Can't Do That |
Kansas City |
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| I Wanna Be Your Man |
Money (That's What I Want) |
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| I Call Your Name |
Bad Boy |
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| Boys |
Matchbox |
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| Long Tall Sally | Roll Over Beethoven | ||||
| FRONT --> Click! | BACK --> Click! | SIDE 1 --> Click! | SIDE 2 --> Click! | DISK --> Click! | |
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| INNER SLEEVE | |||||
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| Plain White Sleeve Type-5-1 "DRG PACKAGING BAGS" logo was added. "British Patent No. 1125555" and "MADE IN GREAT BRITAIN" were printed at the bottom. |
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| FRONT COVER CLOSE UP | BACK COVER CLOSE UP | ||||
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| Catalogue number was printed at the upper right corner of the front cover. | They split the two albums, put them into new sleeves after receiving numerous complaints about the original sleeves and issued them on the Music For Pleasure label as Rock And Roll Music Vol. 1 and 2. | ||||
| BACK COVER CLOSE UP | |||||
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Track B3 is only titled
"Kansas City" and misprinted on Written-By as "Lieber"
instead "Leiber", on label and rear cover. |
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MFP (Music for Pleasure) address is
printed at the bottom of the back sleeve. |
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| LABEL CLOSE UP | |||||
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| Black and red
oval labels with MFP logos. The credits "Music For Pleasure Limited" and "Made In England" were printed in red at the top of the label. |
MFP=Music For
Pleasure Label started in 1965 as a joint venture between
Hamlyn and EMI Records, selling low cost re-issues and also
some original material. |
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| LABEL CLOSE UP | |||||
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"The Compilation (P) 1976 EMI Records Ltd." credit was printed at the bottom of the label. |  |
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Red-black labels
with the bottom text "COPYRIGHT RECORD ALL RIGHTS OF THE
MANUFACTURER AND OF THE OWNER OF THE RECORDED WORK RESERVED
UNAUTHORISED PUBLIC PERFORMANCE BROADCASTING AND COPY OF THE
RECORD PROHIBITED". |
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| SIDE 1 --> Click! | SIDE 2 --> Click! | ||||
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Track B3 is only titled
"Kansas City" and misprinted on Written-By as "Lieber"
instead "Leiber", on label and rear cover. |
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| OTHER ITEM | |||||
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| LABEL | Music For Pleasure original red label
Type-1 |
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| MIX | STEREO |
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| MATRIX No. | SIDE 1 |
SKBO 11537-1A-1
(machine) HTM (hand etched) |
MOTHER & STAMPER |
6 / 1 4 2 |
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| SIDE 2 |
SKBO 11537-1B-1 (machine) |
8 / |
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| VINYL COLOR | BLACK | ||||
| RECORD COMPANY'S NAME | Label / Cover: Original Sound Recording
made by EMI Records Ltd. |
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| CENTRAL REMARK "SOLD IN U.K." |
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| RECORDING PUBLISHED CREDIT | The Compilation 1976 EMI Records Ltd. |
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| COVER FORM | Single type. Glossy cover (Unlaminated
sleeve) |
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| PRINTER CREDIT | PRINTED AND MADE IN GREAT BRITAIN BY
GARROD & LOFTHOUSE INTERNATIONAL LTD. |
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| COVER DESIGN/ PHOTO/ NOTES | Illustration: Micheal Bryan |
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| INNER SLEEVE | Plain White Sleeve Type-5-1 "DRG PACKAGING BAGS" logo was added. "British Patent No. 1125555" and "MADE IN GREAT BRITAIN" were printed at the bottom. |
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| PRODUCER | Produced by George Martin |
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| COMMENTS | Rock And Roll Music, Music For Pleasure,
Vol.1 MFP 50506 and Vol.2 MFP 50507. EMI Records decided to issue the remixed recordings. They split the two albums, put them into new sleeves after receiving numerous complaints about the original sleeves (Rock'n' Roll Music (PCSP 719)) and issued them on the Music For Pleasure label as Rock And Roll Music, Volumes 1 and 2. These two albums are worth buying if only to compare the original recordings with the remixes. Unlaminated “Garrod & Lofthouse Ltd” sleeves. White paper EMI custom inner sleeves. Red-black labels with the bottom text “COPYRIGHT RECORD ALL RIGHTS OF THE MANUFACTURER AND OF THE OWNER OF THE RECORDED WORK RESERVED UNAUTHORISED PUBLIC PERFORMANCE BROADCASTING AND COPY OF THE RECORD PROHIBITED”. Matrix for these albums were made with the Capitol Records laqueurs. (The mixes used on this version is the same as on the US release, using George Martin's alterations.) Track B3 is only titled "Kansas City" and misprinted on Written-By as "Lieber" instead "Leiber", on label and rear cover. *) Harry Moss Mastering and cutting engineer. Worked for EMI Studios aka Abbey Road Studios. Often identified by the initials "HTM" which may appear to look like "HrM" in the runouts. |
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