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  1982 Mono Limited Edition (Red Color Vinyl)
#08. Sgt. Pepper's Lonely Hearts Club Band (EAS-70137)
(Update: 10th. January 2019)

sleeve
1982 mono Series Sleeve


Notice* Click the label of each photo, so you can see the large picture image.

#8-1 Sgt. Pepper's Lonely Hearts Club Band (1st. Press "¥2,300 / Custom Dark Grey Obi / Red Color Vinyl": EAS-70137)
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TITLE SGT. PEPPER'S LONELY HEARTS CLUB BAND
CATALOG NUMBER EAS-70137
RELEASE DATE 21th. January 1982 / First Press
TRACK LISTING SIDE 1 SIDE 2
I Saw Her Standing There
Love Me Do
Misery
P.S. I Love You
Anna (Go To Him)
Baby It's You
Chains
Do You Want To Know A Secret
Boys
A Taste Of Honey
Ask Me Why
There's A Place
Please Please Me Twist And Shout
FRONT --> Click! BACK --> Click! SIDE 1 --> Click! SIDE 2 --> Click! DISK --> Click!
sleeve sleeve label label label
INSIDE --> Click! INNER SLEEVE
LYRIC SHEET (Slip Sheet)
sleeve sleeve sleeve sleeve
Gatefold type. No laminated hard cover. Non flipback cover.
Polyethylene Plastic Inner Sleeve. Slip Sheet / Includes Japanese/English bio-lyric sheet insert.
LYRIC SHEET CLOSE UP
images images Printed how to join the Japanese Beatles fan club, "Complete Beatles Fan Club" and "Beatles Cine Club".
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images
FRONT COVER CLOSE UP BACK COVER CLOSE UP
images images
"mono" and catalogue number "EAS-70137" were printed at the upper right corner of the front cover. "Toshiba EMI ltd.", "Made In Japan", and "ⓛ" were printed at the bottom of the back cover.
BACK COVER CLOSE UP
images images
The mono covers have "1967 Original Sound Recordings by E.M.I. Records Limited   Long Play 33 1/3 r.p.m"" in the upper right corner.
These copies mistitled the track "With a little help from..." as "A little help from..." on back cover.
Limited Edition Custom Obi: FRONT CLOSE UP
sleeve sleeve sleeve Catalog No. "EAS-70130", and priced "¥ 2,300" were printed on the front of the obi strip.
Translated lyrics by Yasumi Yamamoto.
Limited Edition Custom Obi: BACK CLOSE UP
sleeve Glued at the top of the Obi.
sleeve sleeve Each comes with a narrow OBI strip with red disc and "The Beatles Original Mono Record" at the top, and the entire mono series on the back side.
LABEL CLOSE UP
label label EMI/Odeon label. Red Color vinyi (but not "Ever Clean Records).
The words "MFD. UNDER LICENCE BY TOSHIBA-EMI LTD. IN JAPAN" was printed at the perimeter.
LABEL CLOSE UP
label label Catalog number and master number were printed at the right side of the center hole.
"JASRAC(*)" mark was printed on the label.
LABEL CLOSE UP
label In 1982, Toshiba re-issued the 10 Beatles UK albums that had been originally issued in mono in the 60s, using the UK mono masters, all pressed on translucent red vinyl, as a limited edition of 10,000 pressings of each record.
OTHER ITEM

Unlike U.S. and U.K. versions, this was NOT issued with the Sgt. Pepper cutout insert and custom inner sleeve.


RECORD LABEL EMI/Odeon Label with Jasrac logo
MIX MONO
MATRIX No. SIDE 1 YEX-637-M     1S    7
SIDE 2 YEX-6838-M     1S    7
PRESS MARK 1 - Z
VINYL COLOR RED (Not Ever Clean Record)
RECORD COMPANY'S NAME SLEEVE Toshiba EMI Kabushikigaisha
LABEL MFD. UNDER LICENCE BY TOSHIBA-EMI LTD. IN JAPAN
SYMBOL/PRICE ¥2,300
LYRIC SHEET STYLE Slip Sheet / Includes Japanese/English bio-lyric sheet insert.
COVER FORM Gatefold type. No laminated hard cover. Non flipback cover.
INNER SLEEVE
Polyethylene Plastic Inner Sleeves
OBI
Custom Dark Grey Narrow Obi / Glued at the top of the Obi.
COVER DESIGN/ PHOTO/ NOTES Stage and Cut out: Peter Blake and Jann Haworth
Photo: Michael Cooper / Wax Figures: Madame Tussauds
COMMENTS
1982 MONO Limited Edition.

In 1982, Toshiba re-issued the 10 Beatles UK albums that had been originally issued in mono in the 60s, using the UK mono masters, all pressed on translucent red vinyl, as a limited edition of 10,000 pressings of each record.

Each comes with a narrow OBI strip with red disc and "The Beatles Original Mono Record" at the top, and the entire mono series on the back side.
These records contain the original U.K. mono mixes and parallel very closely the U.K. mono reissue series that came out in England around the same time.

Disc/Label info:
Black with silver print Odeon label.
Uses a UK master as identified by matrix stamp
The words "MFD. UNDER LICENCE BY TOSHIBA-EMI LTD. IN JAPAN" was printed at the perimeter on the label.
"JASRAC" logomark was printed on the label.

Packaging info:
Includes Japanese/English lyric sheet insert.
OBI states ‎¥2,300, list of titles in series on back side.
Discs come in clear rice-paper sleeve.
Has the same design and track listing as U.K.
Unlike U.S. and U.K. versions, this was NOT issued with the Sgt. Pepper cutout insert and custom inner sleeve.

Yasumi Yamamoto: Japanese translator, credited with lyric translations on many rock and pop releases. Has translated lyrics for The Beatles, Billy Joel, Simon & Garfunkel, Queen, etc. Born in Sapporo, Japan in September 1948.

The obi: Custom Red obi.
The commemorative custom red thick obi of the 20th anniversary of Beatles' Japan visit. It also features an EMI/Odeon logo, catalogue number and price information.
While most Japanese records feature local music, a lot of music fans there like foreign music, as well.  The language barrier in Japan presented a problem – should foreign album covers be changed for Japanese albums?  The solution was the obi, which means “belt” or “sash”.  The obi is a strip of paper, usually about two inches wide, that wraps vertically around the album cover, containing information about the artist and album in Japanese.  As these strips of paper were fragile and easily torn, they are often missing, especially since consumers in the 1950s and 1960s attached little significance to them.  Finding Japanese records made prior to 1970 that still have the obi intact can be quite difficult, and for some albums, nearly impossible.  The inclusion of the obi can dramatically affect the price of some Japanese records, sometimes increasing the price by a factor of ten.

JASRAC(*):
Japanese Society for Rights of Authors, Composers and Publishers.
To protect the copyrights of musical works, and to facilitate the utilization of musical works, thereby contributing to the dissemination and development of music culture.



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