![]() Capitol 1st. Sleeve |
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TITLE
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REVOLVER |
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CATALOG
NUMBER |
SW-2576 |
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RELEASE DATE
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March 1978 / First Press |
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TITLE LISTING |
SIDE
1 |
SIDE
2 |
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Taxman (BMI-2:36) |
Good Day Sunshine
(BMI-2:08) |
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Eleanor Rigby
(BMI-2:11) |
For No One
(BMI-2:03) |
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Love You To
(BMI-3:00) |
I Want To Tell
You (BMI-2:30) |
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Here, There And
Everywhere (BMI-2:29) |
Got To Get You
Into My Life (BMI-2:31) |
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Yellow Submarine (BMI-2:40) | Tomorrow Never Knows (BMI-3:00) | ||||
She Said She Said (BMI-2:39) | |||||
FRONT--> Click! | BACK --> Click! | SIDE 1 --> Click! | SIDE 2 --> Click! | DISK --> Click! |
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INNER SLEEVE | FRONT COVER CLOSE UP | ||||
FRONT --> Click |
BACK --> Click! |
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The text at the top of the jacket, gFile Under: The Beatles,h the large black dot, and the catalog number were all removed. | |||||
FRONT COVER CLOSE UP | BACK COVER CLOSE UP | ||||
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Capitol logo above the title. The front cover to the album was designed by Klaus Voormann. The artist printed his name on the cover as "KLAUS O.W. VOORMANN." | ![]() |
The stereo covers have the album number, FDS logo and monophonic reference in the upper right corner. | |
BACK COVER CLOSE UP | |||||
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The following
credits appear at the top: gRecording produced by GEORGE MARTIN / Cover designed by KLAUS VOORMANN / Back cover photo by ROBERT WHITAKER |
The Capitol/EMI
box logo is towards the upper right corner. The factory identification number that Capitol had required is no longer printed. |
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The lower portion of the back liner contains "MADE
IN U.S.A. • FACTORIES: SCRANTON, PA. - LOS ANGELES, CALIF. -
JACKSONVILLE, ILL." |
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LABEL CLOSE UP | |||||
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In March 1978, Capitol switched to a purple label with a large dome logo at the top. The perimeter print contains the phrase "Mfd. By Capitol Records". | ||
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"Rubber Soul
(ST-2442)" and "Revolver (ST-2576)" were switched to an SW
prefix durling the orange label run. |
In September,
1975, Capitol added a lengthy "All Rights Reserved" saying
to all their albums. The whole LP catalog was transferred to
the purple Capitol label with "All Rights Reserved." |
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LABEL CLOSE UP | |||||
SIDE 1 |
SIDE 2 |
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The album labels contain full gJohn Lennon - Paul McCartneyh songwriters credits. | |||
OTHER ITEM: FLYER
(Single Sheet / 28cm X 28cm)
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FLYER: FRONT --> Click | FLYER: BACK --> Click | ||||
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Some of the later copies come with a
mail-order flyer for the film "The Complete Beatles*." (*) "The Compleat Beatles" is the title of a 1982 documentary narrated by Malcolm McDowell that chronicles the band's career using interviews and footage. |
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LABEL | Capitol
Purple label with Large Dome Logo |
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MIX | STEREO |
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VINYL COLOR | Black |
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PRESS FACTORY |
SLEEVE | Jacksonville,
Illinois |
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VINYL | Jacksonville
Press |
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FACTORY CODE | No
Number |
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MATRIX No. | SIDE 1 |
SW-1-2576 G31 #1 gene Ⓧ (hand etched) MASTERED BY CAPITOL O (machine stamped) | |||
SIDE 2 |
SW 2 2576 H25 #3 Jay (hand etched) MASTERED BY CAPITOL O (machine stamped) | ||||
PUBLISHER'S NAME |
- |
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"SUBSIDIARY" PRINT
|
YES |
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COVER FORM |
Single
type.
Housed
in
a cardboard jacket. |
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INNER SLEEVE | Plain
white sleeve |
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COVER DESIGN/ PHOTO/ NOTES | Cover
designed
by
KLAUS VOORMANN Back cover photo by ROBERT WHITAKER |
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PRODUCER | Produced
by Geore Martin |
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COMMENTS
|
In March 1978, Capitol switched to
a purple label with a large dome logo at the top. The
perimeter print contains the phrase "Mfd. By Capitol
Records". In September, 1975, Capitol added a lengthy "All Rights Reserved" saying to all their albums. The whole Beatles' LP catalog was transferred to the purple Capitol label with "All Rights Reserved." "Rubber Soul (ST-2442)" and "Revolver (ST-2576)" were switched to an SW prefix durling the orange label run. The text at the top of the jacket, gFile Under: The Beatles,h the large black dot, and the catalog number were all removed. The factory identification number that Capitol had required is no longer printed. Some late copies Come complete with factory insert for "The Complete Beatles*" Movie. Gene Thompson: as "Gene" or "ƐRT" etched in the runout (from 1975 onward) Real name: Eugene R. Thompson Mastering engineer at Capitol Studios, New York City until 1975 when he moved to Capitol Mastering, Hollywood, California. He worked there until he passed in 1984. He usually worked with the "G" Neumann solid-state lathe while in California. Jay Maynard: Mastering Engineer known to have worked at Capitol Mastering. Known runout etchings: used in 1974: JM used in 1975: J. W used in 1976: Jay Luck or "𝒥𝒶𝓎 𝐿𝓊𝒸𝓀" Later on* commonly Jay or JAY was used (written in cursive so may appear as JAM) (from Discogs: Capitol Mastering) |