


![]() DMM Reissue Parlophone Sleeve |
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| TITLE | with
the beatles |
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| CATALOG NUMBER | PMC 1206 |
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| RELEASE DATE | 2003? / Third Press |
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| TRACK LISTING | SIDE 1 | SIDE 2 | |||
| It Won’t Be Long |
Roll Over Beethoven |
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| All I’ve Got to Do |
Hold Me Tight |
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| All My Loving |
You Really Got A Hold on Me |
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| Don’t Bother Me |
I Wanna Be Your Man |
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| Little Child |
Devil in Her Heart |
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| Till There Was You |
Not a Second Time |
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| Please Mister Postman | Money | ||||
| FRONT --> Click! | BACK --> Click! | SIDE 1 --> Click! | SIDE 2 --> Click! | DISC --> Click! | |
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| INNER SLEEVE | FRONT COVER CLOSE-UP | ||||
| FRONT --> Click! | BACK --> Click! | ||||
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Black-and-white group
portrait by Robert Freeman; Parlophone logo at upper left. |
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| FRONT COVER CLOSE-UP | BACK COVER CLOSE-UP | ||||
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The word “mono” was printed in the upper-right corner of the front cover. | ![]() |
The upper right carries an
EAN barcode, LP/Cassette/CD catalog numbers, and the DMM
statement. |
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| BACK COVER — CLOSE-UP | |||||
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The back cover states that the album was digitally remastered and cut using DMM technology. |
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| Apple logo
is added on the back. “Sleeve printed in England” / “Manufactured in England” at lower left. The older design also prints “Made and Printed in Great Britain” in the center notice. |
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| LABEL CLOSE-UP | |||||
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A mono DMM
reissue attributed to the circa-2003 Netherlands contract
pressings manufactured in Haarlem for the U.K. market. The black Parlophone labels use silver print, with a single boxed EMI logo at the 12 o’clock position. The outer silver perimeter ring found on the preceding label design is absent. |
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Distinctive dish-shaped recess under the
label, visible around the center hole. A useful identifying
feature of the Netherlands contract pressings. |
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The Side 1 label incorrectly prints
(YEX.110) and Side 2 prints (YEX.111). The actual run-out inscriptions use the correct mono identifiers XEX 447 / XEX 448. |
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The upper rim
begins “ALL RIGHTS OF THE PRODUCER…”, and the
country-of-origin notice reads “MADE IN ENGLAND”. |
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The rim text
reads “HIRING OR RENTAL” instead of the earlier “HIRING,
RENTING”. |
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| LABEL CLOSE-UP | |||||
| SIDE 1 |
SIDE
2 |
Side 2
correctly prints “YOU REALLY GOT A HOLD ON ME”; it does not
reproduce the “GOTTA” misspelling found on some early 1963
labels. |
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XEX 447 -10-1- D XEX 448 -10-1- D No stamper number has been identified in the run-out area. |
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OTHER ITEM
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| - | |||||
| LABEL | Silver Parlophone label 1 EMI Mark
(at 12 o’clock only) / No outer silver ring |
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| MIX | MONO | ||||
| MATRIX No. | SIDE 1 | XEX 447
-10-1- D |
MOTHER & STAMPER |
1/- |
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| SIDE 2 | XEX 448 -10-1- D | 1/- |
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| VINYL COLOR | BLACK | ||||
| RECORD COMPANY'S NAME | E.M.I. RECORDS LIMITED | ||||
| CENTRAL REMARK "SOLD IN U.K..." |
NONE |
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| RECORDING PUBLISHED CREDIT | ℗ 1963 |
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| COVER FORM | Single-pocket sleeve, without
flipbacks. Both sides of the sleeve have a glossy finish, probably varnished rather than laminated. |
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| “mono” TEXT SIZE | Large |
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| PRINTER CREDIT | No printer credit | ||||
| COVER DESIGN/ PHOTO/ NOTES | Front-cover photograph by Robert
Freeman; original liner notes by Tony Barrow. Additional information for the DMM reissue was printed on the back cover. |
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| INNER SLEEVE | Plain white paper inner sleeve. |
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| PRODUCER | George Martin | ||||
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COMMENTS
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This mono
DMM reissue of With The Beatles was pressed around 2003 by Record
Industry in Haarlem, the Netherlands, under contract
to EMI for the U.K. market. The pressing plant was renamed
Record Industry in 1998. Although the label rim states "MADE
IN ENGLAND" and the sleeve retains British manufacturing
credits, the record itself is considered to have been
pressed in the Netherlands. EMI introduced the DMM Beatles LP reissue series during the 1987 digital-remaster period. The first four original U.K. albums were issued in mono, while the later albums were issued in stereo. Abbey Road Studios had already introduced a Neumann DMM cutting lathe in 1984. Unlike Help! and Rubber Soul, which received new stereo mixes for their 1987 CD releases, With The Beatles retained its original 1963 mono mix. The sound was digitally remastered, but the album was not remixed. This circa-2003 pressing belongs to the DMM reissue series and is based on the digital remaster prepared for the album's first CD release in 1987. The record has a distinctive dish-shaped recess around the center, extending beneath the label. This is a characteristic feature of the Netherlands contract pressings from this period. The black Parlophone labels have silver print, with a single boxed EMI logo at the 12 o'clock position. There is no EMI logo at the 6 o'clock position or silver ring around the outer edge. The rim text begins with "ALL RIGHTS OF THE PRODUCER..." and includes "HIRING OR RENTAL" and "MADE IN ENGLAND". From 1982, EMI U.K. generally stamped the matrix number, cut number, mother number, and stamper number together, separated by hyphens. On earlier EMI pressings, these identifiers were often placed at separate positions in the run-out area, with the GRAMOPHLTD letter code used to identify stampers. Incorrect Matrix Numbers Printed on the Labels The Side 1 label incorrectly shows "(YEX.110)", while the Side 2 label shows "(YEX.111)". These are the matrix numbers for the stereo edition (PCS 3045), not the mono edition (PMC 1206). The actual run-out matrices are "XEX 447-10-1- D" on Side 1 and "XEX 448-10-1- D" on Side 2, correctly identifying the mono version. The "-10" indicates the cut number, followed by "-1" for the mother number. No final stamper number has been identified. Only the matrix numbers printed on the labels are incorrect; the record itself is a mono pressing. The same misprint appeared on earlier DMM reissues and is not unique to the 2003 Netherlands pressing. Track 3 on Side 2 is correctly printed as "YOU REALLY GOT A HOLD ON ME". Printed DMM Notice "This album has been direct metal mastered from a digitally re-mastered original tape to give the best possible sound quality." Reference: What Is DMM (Direct Metal Mastering)? DMM is a mastering process in which audio grooves are cut directly into a copper-coated metal disc rather than a conventional lacquer disc. This eliminates an intermediate electroplating stage and can improve the accuracy of groove reproduction. DMM is a cutting technique and does not necessarily require a digital recording. |
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